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The interview took place in Snay Tun's family home in Logan. Snay Tun is a young Karen man in his early twenties.
The interview took place in Snay Tun's family home in Logan. Snay Tun is a young Karen man in his early twenties. The interview occurred on the floor of his living room where we spoke for about an hour regarding his life as a refugee, moving to the…
The interview took place in Snay Tun's family home in Logan. Snay Tun is a young Karen man in his early twenties. The interview occurred on the floor of his living room where we spoke for about an hour regarding his life as a refugee, moving to the…
Meagan Gill sets up the Tascam Dr mk2 audio recorder while Wes Vand de Water reviews the release forms and letter of information with Snay Tun before the interview at his house in Logan, Utah on May 19, 2015.
A close-up of the Burmese mat on the floor of Snay Tun's house in Logan Utah on May 19, 2015, made apparently from weaving different-colored strands of plastic.
The top portion of the Burmese calendar at Snay Tun's house in Logan, Utah on May 19, 2016. The English translation of the Burmese script is on the right-hand side of the calendar.
Snay Tun reads the release form and letter of information before being interviewed by Wes Van de Water at his home in Logan, Utah on May 19, 2015.
Snay Tun at his home in Logan, Utah on May 19, 2015, responding to interview questions while Wes Van de Water and Meagan Gill listen.
Snay Tun at his house in Logan, Utah on May 19, 2015, waiting for the next question in his interview.
Photo of a printed photograph of Snay Tun at Bear Lake when he was about fifteen years old, taken at his house in Logan, UT on May 19, 2015.
Flower pattern woven into a Burmese mat at Snay Tun's house in Logan, Utah on May 19, 2015, made apparently by weaving different-colored strands of plastic together.
The Karen flag photographed at Snay Tun's house in Logan, Utah on May 19, 2015. The small pictures at the bottom seem to be religous. The Karen drum is in the upper-left hand side of the flag.
Snay Tun and Wes Van de Water watch a youtube video of Sepak Takrow, a Southeast Asian Sport similar to soccer and volleyball. Taken at Snay Tun's house in Logan, Utah on May 19, 2015.
Snay Tun at his house in Logan, Utah on May 19, 2015, holding his Sepak Takraw ball for a close-up picture.
Snay Tun at his house in Logan, Utah on May 19, 2015, holding the Sepak Takraw ball while explaining how the game is played.
Snay Tun poses with his Takraw ball at his house in Logan, Utah on May 19, 2015.
Tun Lay talks about his journey from Burma to Logan, Utah. He describes his time spent in refugee camps and the differences between his life then and his life now.
Tun Lay talks about his journey from Burma to Logan, Utah. He describes his time spent in refugee camps and the differences between his life then and his life now.
Tun Lay talks about his journey from Burma to Logan, Utah. He describes his time spent in refugee camps and the differences between his life then and his life now.
Tun Lay talks about his journey from Burma to Logan, Utah. He describes his time spent in refugee camps and the differences between his life then and his life now.
Close up photo of Tun Lay when he lived in Salt Lake City seven years ago.
Photo of Tun Lay when he lived in Salt Lake City seven years ago; picture taken farther away.
Picture of a food cover that people would use even in Karen State to protect food from pests.
Tun Lay holds his guitar that he plays for religious services on Sundays; darker lighting in picture .
Decorative floor rugs that the Karen people use to cover carpet because it is easier to clean while protecting the carpeting.
Chit Moe & Tun Lay are discussing a question asked by Bethany.
Tun Lay is responding to a question while looking down at paper listing the interview questions.
Tun Lay holds his guitar that he plays for religious services on Sundays; picture has more light.
Map depicting the different countries in Southeast Asia and their locations relative to each other.
Map showing location of Cache County in Utah, taken from Wikimedia for use in the Eritrean voices project.
A comparison of the taller Buddha of Bamiyan, as it appeared in 1963 and in 2008, after its destruction.
Maung Maung perched on the arm of the family's sofa. Also visible is a close-up of one of the posters from photo #002 and the play hut he was playing with during Har Be Bar's interview.
A portrait of Cami Dilg. Also visible are some of the home's furnishings, including the TV with attached webcam, the family's fish tank, and some of the posters on the back wall.
Maung Maung perched on the arm of the family's sofa. Also visible is a close-up of one of the posters from photo #002 and the play hut he was playing with during Har Be Bar's interview.
A family portrait, featuring, from left to right: Har Be Bar, Ka Ma Din, Maung Maung, Ya He Ma. The subjects are standing against the poster wall from photo 002.