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Ka Sin signs a release form to Utah State University for the audio and visual material gathered during our interview. Deanna Allred, the interviewer, looks on, while Har Be Bar, the translator, goes through an English version of the release form.…
Ka Sin's interview concludes for the Voices: Refugees In Cache Valley field school project. He is joined by two of his four children. Deanna Allred, the interviewer, looks on, as does David Giles, the recordist. Also present are Har Be Bar, the…
Ka Sin smiles. This photograph was taken in Ka Sin's front room after the conclusion of the iterview. Present in the background are Ka Sin's daughter Pan Phue, his youngest son Zat No, and Har Be Bar, the translator.
This photo was taken in Ka Sin's front room after the conclusion of the interview.
This photo was taken in Ka Sin's front room after the conclusion of the interview.
Ka Sin's interview concludes for the Voices: Refugees In Cache Valley field school project. Also present are Deanna Allred (interviewer), David Giles (recordist), Har Be Bar (translator), and Ka Sin's youngest son Zat No. Har Be Bar is visiting…
Ka Sin's interview concludes for the Voices: Refugees In Cache Valley field school project. Also present are Deanna Allred (interviewer), David Giles (recordist), Har Be Bar (translator), Ka Sin's daugher Pan Phu wearing htamein, and Ka Sin's…
You can see in this photograph the south portion of Ka Sin's front room. It is furnished with two tables and a couple chairs (you can also see part of the sofa on the west side of the room). There is a Television, DVD and VHS player, a Nintendo 64,…
On the east wall of the front room you can see a map of the United States, a map of Utah, a poster of the Utah State University men's basketball team, and a Utah State University women's basketball team (signed by the players). There are also some…
You can see in this photograph the south portion of Ka Sin's front room. It is furnished with two tables and a couple chairs (you can also see part of the sofa on the west side of the room). There is a Television, DVD and VHS player, a Nintendo 64,…
These are traditional Burmese shoes. In this case, Har Be Bar wears these shoes after Ka Sin's wife, Sar Ge Dar, accidentally leaves the apartment with Har Be Bar's shoes. It is common for someone to simply slip on any shoes that are left by the…
These are traditional Burmese shoes. In this case, Har Be Bar wears these shoes after Ka Sin's wife, Sar Ge Dar, accidentally leaves the apartment with Har Be Bar's shoes. It is common for someone to simply slip on any shoes that are left by the…
Kaw Lay is sitting on the floor. He is wearing purple skirt and a grey button down top. He isn't smiling. The carpet is tan. Behind him are his wife's sewing storage boxes.
Kaw Lay is sitting on the floor. He is wearing purple skirt and a grey button down top. He isn't smiling. The carpet is tan. Behind him are his wife's sewing storage boxes.
Kaw Lay's family is in the firont room. Kaw Lay is on the left with his hand on Thuza's shoulder. Khin Mar Cho is next to him wewaring a white shirtand blue/green jacket. Their daugher, Ma Se Ma is next to her wearing a green shirt and Sean, (son) is…
Kaung Lay, Khin Mar Cho and Thuza in their living room. Kaw Lay is holding a paper.
Sean and Har Be Bar in Sean's living room. The photo is blurry, but they are smiling.
Khin Mar Cho holding a pink and white polka dot skirt she made with embroidery on the hem.
Khin Mar Cho holding a pink and white blouse she made. A companion to the skirt in the other photo.
Khin Mar Cho holding a black and white skirt she sewed. The photo makes the skirt look a little yellow.
Khin Mar Cho holding a black and white blouse she sewed. It is the companion to the black and white skirt in the other photo.
Kaung Lay holding an employee of the month certificate from JBS Miller meat processing. He is standing in his living room in Logan Utah wearing a blue shirt. In the picture, a person from JBS is presenting Kaw Lay with the certificate.
The certificate presented to Kaung Lay in the previous picture. They spell his name Kaung Lay and it was presented in August, 2009.
Very colorful dress poster of all the different patterns of dresses Khin Mar Cho sews for customers to supplement the family income.
Kitchen shelving, showing the attractive way in which the dishes are stacked. This same pattern appeared in several homes.
A close-up shot of one of the posters in photo 002, one of the idealized homes. Poster includes a two-story home, two cars (including a red sports car) and a number of birds (including geese in the pond).
Shoe rack by the door of the apartment. Rack holds a few dozen pairs of shoes, neatly organized. Also shown are the family's fish tank, as well as a few more posters, these ones depicting fruit.
A wall with several colorful posters. The two larger posters are of idealized, Western-style homes, while the three smaller ones are Islamic-themed: two are of the Great Mosque of Mecca, while the third shows several verses of the Qur'an.
Maung Maung perched on the arm of the family's sofa. Also visible is a close-up of one of the posters from photo #002 and the play hut he was playing with during Har Be Bar's interview.
A portrait of Cami Dilg. Also visible are some of the home's furnishings, including the TV with attached webcam, the family's fish tank, and some of the posters on the back wall.
Maung Maung perched on the arm of the family's sofa. Also visible is a close-up of one of the posters from photo #002 and the play hut he was playing with during Har Be Bar's interview.
A family portrait, featuring, from left to right: Har Be Bar, Ka Ma Din, Maung Maung, Ya He Ma. The subjects are standing against the poster wall from photo 002.
Ya He Ma and Har Be Bar filling out post-interview paperwork as Cami looks on. Deanna is packing up the recording equipment. Maung Maung is perched on the arm of the family's couch, staring at the camera. Also visible is the mat everyone sat on, a…
Kahsay Berhe Gebremedhin (interviewee) sits at the interview while someone else is talking. This photo is slightly zoomed out compared to the first one.
This picture was taken from directly behind Magen Olsen. Kahsay Berhe Gebremedhin has his arms folded. Neither man looks like they're speaking.
Berhane Debesai Abraha (translator) explains the consent form to Kahsay Berhe Gebremedhin. They are in one of the meeting rooms at the Logan Public library. Magen Olsen (interviewer) can be seen partially on the side.
Kahsay Berhe Gebremedhin (interviewee) sits at the interview while someone else is talking. This photo is slightly zoomed out compared to the first one.
Kahsay Berhe Gebremedhin is speaking during the interview while Magen Olsen and Berhane Debesai Abraha watch him attentively. There are a couple paintings in the background.
This is a meeting room in the Logan Library. Walls pictured have a door/whiteboard and one with a door/window, through which books are visible. The picture has (from L to R) Heidi Williams, Magen Olsen, Kahsay Berhe Gebremedhin, and Berhane Debesai…
Kahsay Berhe Gebremedhin sits in the center of the picture. He doesn't appear to be talking but from the way Magen Olsen and Berhane Debesai Abraha are looking at him, it appears he may have recently finished or is about to start. The last two are in…
Kahsay Berhe Gebremedhin and Berhane Debesai Abraha are pictured. It appears that Berhane is talking, probably translating something Kahsay said, as Kahsay sits quietly. Magen Olsen's hand can be seen holding a pen.
Another shot of a room in the Logan Library, with a wall with the door/window and one with a clock. Pictured (L to R): Heidi Williams, Magen Olsen, Kahsay Berhe Gebremedhin, Berhane Debesai Abraha.
Another shot of a room in the Logan Library, with a wall with the paintings and one with a clock. Facing the camera L to R: Kahsay Berhe Gebremedhin and Berhane Debesai Abraha, Backs to the camera L to R: Magen Olsen, Heidi Williams (w/ headphones).
Magen Olsen breaking down the mic stand after the interview was finished. Kahsay Berhe Gebremedhin (center) and Berhane Debesai Abraha are also in the picture.
Berhane Debesai Abraha is explaining the release form to Kahsay Berhe Gebremedhin. He is pointing something out on the paper and appears to be talking. Kahsay holds a pen.
Kahsay Berhe Gebremedhin is signing the release form while Berhane Debesai Abraha looks on.