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Magen Olsen breaking down the mic stand after the interview was finished. Kahsay Berhe Gebremedhin (center) and Berhane Debesai Abraha are also in the picture.
Berhane Debesai Abraha is explaining the release form to Kahsay Berhe Gebremedhin. He is pointing something out on the paper and appears to be talking. Kahsay holds a pen.
Kahsay Berhe Gebremedhin is signing the release form while Berhane Debesai Abraha looks on.
Temple Fork Room of Logan Public Library, Seltene and Berhane Reading the Release Forms Provided in Tigrinya.
Temple Fork Room of Logan Public Library, Photographs taken before the beginning of the recording so as not to distract the audio.
Temple Fork Room of Logan Public Library, Berhane notes here that the Tigrinya translation is using a defunct form of the language, indicating that the translator is likely Ethiopian.
Temple Fork Room of Logan Public Library, Berhane translates the question Hilary just asked to Seltene.
Temple Fork Room of Logan Public Library, Hilary asks about life in Eritrea.
Temple Fork Room of Logan Public Library, Seltene speaks softly of his life in Eritrea.
Temple Fork Room of Logan Public Library, Hilary is out of shot asking a question for Berhane to translate to Seltene.
Temple Fork Room of Logan Public Library, While Berhane translates, Seltene sits silently.
Temple Fork Room of Logan Public Library, Landscape Portrait of Seltene for archives.
Temple Fork Room of Logan Public Library, Vertical Portrait of Seltene for archives.
Temple Fork Room of Logan Public Library, Seltene is filling out the release forms in his native language.
Temple Fork Room of Logan Public Library, Berhane talking again about the translation of the release forms and showing examples of words that are no longer recognized in modern Eritrean Tigrinya.
Temple Fork Room of Logan Public Library, Hilary is signing the Tigrinya copy of the release forms and requires some translation from Berhane.
Temple Fork Room of Logan Public Library, Berhane reads the forms to Seltene because the translation is difficult.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated December 30, 1912.
Letter to Jack London from William Griffith at the Semi-Monthly Magazine publisher, dated October 31, 1912.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated November 16, 1912.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated December 10, 1912.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated April 22, 1913.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated December 21, 1912.
Letter to Jack London from William Griffith editor at the Semi-Monthly Magazine publisher, dated January 31, 1913.
Postcard of "The City of Logan, Utah Home of Utah State University", ca. 1985
Postcard of Old Main and Wellsville Mountains, Logan Utah, ca. 1985
Postcard of "Utah State University, The Campus in Fall in the Rocky Mountains", ca. 1985
Postcard of "Utah State University, The Campus in the lap of Logan Canyon Recreation Area", ca. 1985
Postcard of "Utah State University, The Campus in Fall", ca. 1985
Correspondence to Alma N. Sorensen between 1905 and 1958 from Mrs. Parry, dated Dec. 17, 1905, Mrs. J.A. Gardner, dated November 20, 1906, Bessie Spencer, dated June 1, 1916, W.W. Henderson, dated March 4, 1924, Mary Kristine Jacobsen Sorensen (his…
This picture is of Har Be Bar and Maung Maung showing us how to apply the Burmese make up made out of wood.
Cami Dilg has on the recordist earphones, Maung Maung has on a white shirt and is looking down. Behind Cami, is Maung Maung's blue tent that he set up while we were there.
Har Be Bar and Maung Maung are demonstrating how to put on burmese make up.
Har Be Bar is wearing an emerald green shirt and is smiling. She is playful with her little brother Maung Maunt and David Giles arm can be seen to the left of the picture. They are in Har Be Bar's living room.
Har Be Bar is wearing an emerald green shirt, Maung Maung is applying make up to Cami Dilg. Cami has ther earphones on and the microphone is on the table. In the background is a colorful poster.
This photo is of colorful flowers and fruit that is typical of the posters that adorn the Burmese Muslim families we interviewed.
This photo is of shoes on a rack in the front room at Har Be Bar's home. It is custom to remove your shoes at the door and this is the tidy way which her family organizes the shoes.
This is a painting by Har Be Bar called the Lonely Rose. It hangs on the wall in her living room. It is a painting of a red rose and a hand and it has burmese writing on it with the title.
Maung Maung playing with the recording equipment while Cami Dilg supervises. Smiles. Maung Maung speaks into the microphone.
This is the Broken window in the front room of Har Be Bar's home. It was accidentally broken, Butit took over three weeks to get fixed.
In Har Be Bar's front room, David Giles sits on the blue couch, Maung Maung, in a green shirt sits at his feet. David is looking down. There are colorful posters on the wall behind him.
Maung Maung playing with his blue tent. He is wearing a white shirt and a big smile. He is in a crouched position by the couch.
Letter from King Hendricks to Irving Shepard, dated April 2, 1963.
Portrait of King Hendricks, Professor of English and Director of Libraries at Utah State University.
Postcard of "When It's Moonlight In The Rockies", Brighton, Big Cottonwood Canyon, ca. 1940-1945